Emergency response and preparedness for performing arts organizations can be a difficult task for individual organizations. This free 2 hour webinar will demonstrate how working with multiple organizations in a network for disaster management can be accomplished. The history of networking for improved emergency preparedness in the cultural heritage, arts, and government sectors will be examined, with an exploration of existing networks. Case studies of the Pennsylvania Cultural Resilience Network and CultureAID in New York City will be presented to help guide you on how to start your own, or join an existing, cooperative disaster network. You will learn how to use the
Cultural Placekeeping Guide to direct your networking efforts.
Instructor: Tom Clareson
Tom Clareson (tom.clareson@lyrasis.org) is Project Director of the Performing Arts Readiness (PAR) project. He serves as Senior Consultant for Digital & Preservation Services at LYRASIS, consulting and teaching nationally and internationally on preservation, disaster preparedness, digitization, digital preservation, special collections/archives, remote storage, funding, strategic planning, and advocacy for libraries, archives, and museums. Clareson serves as Vice President on the Board of Directors of the Foundation of the American Institute for Conservation of Historic and Artistic Works, and the Board of Directors of LancasterChorale (Ohio).
Instructor: Amy Schwartzman
Amy Schwartzman has been working at the intersection of arts and disaster management since 2001, when she served as the Information Officer of the New York Arts Recovery Fund, created to help NYC’s artists and arts organizations recover from 9/11. While there, she authored two guidebooks developed by The NYC Arts Coalition, one geared toward artists, the other toward nonprofit organizations, about how to negotiate the response and recovery resources that had arisen. In 2007, she was hired by the National Coalition for Arts’ Preparedness and Emergency Response (NCAPER) to draft a Blueprint for a nationwide disaster safety net for artists and arts organizations. Her work for NCAPER includes principal authorship of “The Cultural Placekeeping Guide” (2017) and “Essential Guidelines for Arts Responders Organizing in the Aftermath of Disaster” (2011). After Hurricane Sandy, Amy served as the Community Planner for artists and arts organizations within the Natural and Cultural Resource Recovery section of FEMA’s New York Sandy Recovery Office. She is currently a consultant to PAR.
